Tyler Ballgame
Brighton Music Hall presented by Citizens, 158 Brighton Avenue, 02134 Boston Kort
lau. 19.09.2026 19:00
THIS EVENT IS ALL AGES. DOORS: 7:00 PM SHOW: 8:00 PM ALL TIMES AND SUPPORT BANDS ARE SUBJECT TO CHANGE WITHOUT NOTICE OR REFUND. Tickets purchased from third-party outlets CANNOT be verified by our Box Office. If you sell/purchase your tickets from a third-party, we are not liable for any entry issues you may have. Any disputes involving third-party ticket purchases must be settled with the third-party outlet directly. The Paradise Rock Club Box Office is open for ticket purchases from 12 PM to 6 PM, Monday through Friday. If traveling from out of town, please call the customer line at 617-562-8801 to verify hours. There is a seating area available for those with mobility limitations. If you require accommodation, we encourage you to reach out to information@crossroadspresents.com as soon as you have purchased your GA ticket.
Flytjendur
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Grace Cummings
A near-lifelong musician, Cummings got her start as a drummer in a series of high school bands whose repertoire largely consisted of AC/DC and Jimi Hendrix covers. As she began writing songs of her own, she mined inspiration from artists like seminal Australian singer/songwriter Paul Kelly, Bob Dylan, and Spiritualized frontman J Spaceman, as well as from the traditional Irish folk music her father often played at home. “Irish melodies are some of my favorites; they go to such dark and dramatic places,” she says. Soon after striking out as a solo artist in the late 2010s, Cummings landed a deal with Flightless Records (a Melbourne-based record label founded by former King Gizzard & The Lizard Wizard drummer Eric Moore). Over the years, Cummings has matched her idiosyncratic musicality with a deliberately spontaneous approach to songwriting. “I don’t really do that thing where I lock myself away and sit down at a table like, ‘Right, let’s write a song now,’” she says. “If I feel like I have something I want to write, I just get it all out in the moment.” And in the studio, Cummings remained wholly committed to following her deepest and most immediate instinct. “I’m not precious at all about recording; it just doesn’t make sense to me,” she says. “I am who I am and I sound how I sound, and I’m not really interested in going in like some kind of magician to try to make it sound any different.”
