Tyler Ballgame

Flytjendur

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  Tyler Ballgame

  Tyler Ballgame was born from the concept of radical presence in expression—the idea that each live performance is an opportunity to transcend the ordinary digital world, and surrender to the magic of a truly human experience. With a vibrant blend of alternative indie pop, Tyler’s sound evokes a sense of nostalgia, joy, and classic song-craft. Now, he’s gearing up to release his debut full-length album, “For The First Time, Again,” produced by longtime collaborators Jonathan Rado and Ryan Pollie. Grounded in this ethos of presence, Tyler’s music is built on strong melodic hooks and draws subtle inspiration from the classic songwriting of the ’60s and ’70s

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  Grace Cummings

  A near-lifelong musician, Cummings got her start as a drummer in a series of high school bands whose repertoire largely consisted of AC/DC and Jimi Hendrix covers. As she began writing songs of her own, she mined inspiration from artists like seminal Australian singer/songwriter Paul Kelly, Bob Dylan, and Spiritualized frontman J Spaceman, as well as from the traditional Irish folk music her father often played at home. “Irish melodies are some of my favorites; they go to such dark and dramatic places,” she says. Soon after striking out as a solo artist in the late 2010s, Cummings landed a deal with Flightless Records (a Melbourne-based record label founded by former King Gizzard & The Lizard Wizard drummer Eric Moore). Over the years, Cummings has matched her idiosyncratic musicality with a deliberately spontaneous approach to songwriting. “I don’t really do that thing where I lock myself away and sit down at a table like, ‘Right, let’s write a song now,’” she says. “If I feel like I have something I want to write, I just get it all out in the moment.” And in the studio, Cummings remained wholly committed to following her deepest and most immediate instinct. “I’m not precious at all about recording; it just doesn’t make sense to me,” she says. “I am who I am and I sound how I sound, and I’m not really interested in going in like some kind of magician to try to make it sound any different.”