The Beat - Dance Crazed Too UK Tour

Triple A Entertainment Presents 

The Beat

Dance Crazed Too UK Tour 

+ Neville Staple  

+ DJ Rhoda Dakar

One tempestuous weekend in March 1979 was not only the date of the Three Mile Island nuclear

incident, but also, in Birmingham, England, the very first show by a nascent band known as The

Beat. Introduced as “the hottest thing since the Pennsylvania meltdown”, the band had a sense

that the next few years could well be explosive! The Beat hailed from working class, industrial

Birmingham, England. When The Beat rushed on to the music scene in 1979, it was a time of

social, political and musical upheaval. Into this storm came The Beat, trying to calm the waters with

their simple message of love and unity set to a great dance beat.

The Beat were all about inclusion, rather than exclusion, and this showed in their personnel and

their music influences. The original band consisted of Dave Wakeling on vocals and guitar, Andy

Cox on guitar, David Steele on bass, and Everett Morton on drums – later additions Ranking Roger

(toasting) and foundational First Wave Ska legend Saxa (saxophone) completed the outfit. The

band crossed over fluidly between soul, reggae, pop and punk, and from these disparate pieces

they created an infectious dance rhythm. Along with their contemporaries The Specials, The

Selecter, and Madness, the band became an overnight sensation and one of the most popular and

influential bands of the British Two Tone Ska movement.

By Christmas of 1979, The Beat were riding high in the UK charts with their first single, a smoking

remake of the classic Smokey Robinson tune Tears of a Clown. Over the course of the next five

years The Beat toured relentlessly and released three studio albums: I Just Can’t Stop

It, Wh’appen, and Special Beat Service. The band toured the world, touring with such artists

as David Bowie, The Police, REM, The Clash, The Talking Heads, The Pretenders, and The

Specials, to name but a few. The Beat kept scoring hits with tunes that have now become so

popular that it’s hard to remember a time when they didn’t exist, such as Mirror in the

Bathroom, Save it for Later, I Confess, Stand Down Margaret, and their serene cover of the Andy

William penned Can’t Get Used To Losing You.

Despite their huge success, The Beat continued singing about and acting on the problems we all

face. They donated all the profits from their highly successful single version of Stand Down

Margaret to the Committee for Nuclear Disarmament. They donated their music to causes

including the anti-nuclear benefit album Life in The European Theatre, The World of Music and

Dance album focusing on indigenous people’s art, and lent their voices to The Special

AKA’s anthemic freedom cry Free Nelson Mandela, to name but a few.

Dave Wakeling once told me that every great band only has three really good albums. And true to

form, The Beat decided to call it quits after their third album, Special Beat Service. Of course, that

was not the last we would hear from the Beat boys.

After The Beat, Dave Wakeling formed General Public with his mate Roger. The band took off

quickly, scoring numerous hits off the their three studio albums, including Tenderness, So Hot

You’re Cool, Never You Done That, Come Again, Too Much or Nothing, and I’ll Take You

There. Dave’s good looks and soulful crooning combined brilliantly with Roger’s gravelly toasting,

high intensity showmanship and upful beat, and GP took the critics and fans by storm. While Dave

was penning hits Stateside, Andy Cox and David Steele were putting their own band together.

Andy and David placed an ad for a singer on MTv, and received an extraordinary gift, in the form of

one Roland Gift. With Roland onboard, the Fine Young Cannibals was formed and right from the

release of their first single Johnny Come Home, the band was a hit. Their two studio albums

scored multiple hit singles, with tunes such as She Drives Me Crazy and Good Thing becoming

instant classics. Not being slackers either, Saxa and Everett Morton put together their own

band, International Beat, blending modern pop with traditional Jamaican rhythms to form a

wonderful hybrid sound. International Beat toured around the world and released two live albums,

including cameos from Dave and Roger.

Combined, all these bands scored multi-platinum record sales, sold out shows all over the world,

and, most importantly, universal fan approval because they kept The Beat alive!

That ember was nursed back into a roaring flame in February 2003, when a dream came true for

many Beat fans as the band reunited for a UK tour, culminating in a sold out command

performance at the prestigious Royal Festival Hall! It was a wonderful night for the band and their

fans.

Consummate showman that he is, Dave Wakeling has continued to keep The Beat alive and

strong. How could he not? Dave continues to tour the world as The English Beat with an amazing

all-star ska backing band playing all the hits of The Beat, General Public, and his new songs.

You just can’t stop The Beat!