Barbara Mason

War

For over 55 years, Tower of Power has delivered the best in funk and soul music.“We were a Soul band called The Motowns.” recalls Emilio Castillo. “Rocco was the bass player, I was in there, and my brother was the drummer. I met “Doc” Kupka back in 1968, and gave him an audition. He came in the band, and we eventually changed our name to the Tower of Power.” The reason for the band name change was that they had a specific goal in mind.

“We wanted to get into the Fillmore Auditorium and with a name like the Motowns, dressed in suits with razor cuts, we knew we’d never get in there. We grew our hair long, and started to be hippies, and changed our name. Doc then suggested that we start writing our own songs.”
The Fillmore was a major goal, which came along at the right time. “We had been playing nightclubs, and we had gotten busted for being underage. One night, the ABC came in, and caught the trumpet player drinking, and the next thing we knew, a notice was out across the Bay Area that if they hired us again, clubs would lose their liquor license. Then, my parents moved to Detroit, and I was on my own, broke and hungry, and all I did was rehearse. We wrote the songs for East Bay Grease, and by November, we were at the end of our rope. I told the guys that I was leaving for the holidays, and if nothing happened with this audition, I wasn’t coming back.”

Fortunately, he did, and the rest as they say, is history.

East Bay Grease defined their sound and landed them with Warner Brothers. Bump City, their 1972 debut for the label, was a hit on both the Billboard 200 and the R&B Albums chart, and netted them the hits “You’re Still A Young Man” and “Down to The Nightclub.” The 70s were a boom period with radio classics like “So Very Hard to Go” and “What Is Hip?,” and the band continued to tour and record over the years. Castillo says their love of the stage is the same today as it was back in 1968.

50 years later, in 2018, they returned to Oakland to celebrate their landmark 50th anniversary. Tower’s window-rattling grooves and raucous party spirit has been a balm for the soul throughout their half-century existence, but the release of 50 Years of Funk & Soul: Live at the Fox Theater couldn’t arrive at a better time.

“People come up to me all the time and say, ‘Wow man, 50 years! We can't believe it,’” laughs Castillo. “You can't believe it? I'm the one that can't believe it. We've been through a lot of ups and downs and learned a lot along the way. We've affected a lot of people's lives and done a lot of work that we're very proud of. The band has a real family atmosphere. It's been very rewarding.”

The band has long since surpassed Castillo’s modest aspirations, traveling the world, enjoying hit singles on their own and backing legendary artists including Otis Redding, Elton John, Santana, the Grateful Dead, John Lee Hooker, Aerosmith, Bonnie Raitt, and countless others. In the process they’ve defined an “Oakland soul” sound as instantly recognizable as those from Castillo’s hometown, Detroit, as well as inspirations like Memphis and Philadelphia.

The future of Tower of Power is set out to be vigorous and dynamic, and will prove to be just that for fans around the world starved for the band’s groove just the way Tower of Power likes it!

ABBREVIATED:
For over 55 years, Tower of Power has delivered the best in funk and soul music.“We were a Soul band called The Motowns.” recalls Emilio Castillo. “Rocco was the bass player, I was there, and my brother was the drummer. I met “Doc” Kupka back in 1968, and gave him an audition. He came in the band, and we eventually changed our name to the Tower of Power.” The reason for the band name change was that they had a specific goal in mind.

East Bay Grease defined their sound and landed them with Warner Brothers. Bump City, their 1972 debut for the label, was a hit on both the Billboard 200 and the R&B Albums chart, and netted them the hits “You’re Still A Young Man” and “Down to The Nightclub.” The 70s were a boom period with radio classics like “So Very Hard to Go” and “What Is Hip?,” and the band continued to tour and record over the years. Castillo says their love of the stage is the same today as it was back in 1968.

50 years later, in 2018, they returned to Oakland to celebrate their landmark 50th anniversary. Tower’s window-rattling grooves and raucous party spirit has been a balm for the soul throughout their half-century existence, but the release of 50 Years of Funk & Soul: Live at the Fox Theater couldn’t have arrived at a better time.

The band has long since surpassed Castillo’s modest aspirations, traveling the world, enjoying hit singles on their own and backing legendary artists including Otis Redding, Elton John, Santana, the Grateful Dead, John Lee Hooker, Aerosmith, Bonnie Raitt, and countless others. In the process they’ve defined an “Oakland soul” sound as instantly recognizable as those from Castillo’s hometown, Detroit, as well as inspirations like Memphis and Philadelphia.

The future of Tower of Power is set out to be vigorous and dynamic, and will prove to be just that for fans around the world starved for the band’s groove just the way Tower of Power likes it!

The Whispers

The Whispers are a R&B / dance vocal group from Los Angeles, California. They formed in 1964 in Los Angeles. The original members included the twin brothers, Scotty and Wallace Scott, along with Gordy Harmon, Marcus Hutson and Nicholas Caldwell. In 1973 Harmon was replaced by former Friends of Distinction member Leaveil Degree. The group scored many hits on the R&B and Billboard Hot 100 charts throughout the 1970s and 1980s, and they hit #1 on the Hot Dance Club Play chart in 1980 with "And the Beat Goes On" / "Can You Do the Boogie" / "Out the Box".

The group's sound was marked by Scotty Scott's fluid, melodic voice which featured on virtually all of their hits. Scotty's sound was so distinctive and likeable that, in his heyday, he was as recognizable as such noted R&B lead singers as Ronald Isley of The Isley Brothers.[citation needed]

In 1987 they enjoyed a career resurgence when "Rock Steady" hit #1 on the R&B charts, and became their first Top 10 success on the Hot 100 (it reached #7). The Whispers also founded the Black Tie record label.

In the 1990s, The Whispers joined the Capitol Records family releasing more favorites. Expanding their creative horizons, brothers Walter and Scotty cut “My Brothers Keeper”, a critically acclaimed duet album in 1993, scoring another R&B hit with a cover of the Intruders' "I Wanna Know Your Name." “Toast to the Ladies” released in 1995 featured a collection of love songs dedicated to women all over the world. In 1997 the group moved to Interscope Records where they featured the works of Baby face once again with their album, "Songbook, Vol. 1: The Songs of Babyface”. Both albums charted on Billboards top 100 albums.

Marcus stopped performing with the group in 1989 due to ill health, and in 2000, when he passed on, the Whispers vowed never to replace him. In the new millennium the group still performs around the world to thousands of loyal fans. The group has not made any personnel changes and still consists of Walter Scott, Wallace Scott, Nicholas Caldwell, and Leaveil Degree. They have taken the world by storm, selling out in various casinos and hotels, and they have a tremendous following throughout the United States, Europe, Asia, and Africa. Yet they still find time for charity work. They work with youth education, cancer organizations, 100 Black Men, and Domestic violence charities.

On September 23, 2003, The Whispers’ four decades of accomplishments were acknowledged when they were inducted into the Vocal Group Hall of Fame. On June 12, 2005, The San Francisco Chapter of the Grammy Awards presented the Whispers with the prestigious Governors Award, the highest honor bestowed by an Academy Chapter. They were also inducted into the Bay Area Blues Society Hall of Fame in 2006. In 2007, The Black Music Academy of America selected the Whispers to received their “Living Legends” award.

They are one of only a few “old school” groups that can boast of having over 40 years in the industry with a worldwide fan base. The Whispers waited almost a decade to produce a new CD in 2005. This independent product, the first venture of their newly formed corporation Satin Tie Entertainment is a masterpiece entitled, “For Your Ears Only”. According to Walter, “This title was a way of saying to our fans that while we want everyone’s support, we very much want the support of our fans, who have been with us for many, many years.” It made its way up the Billboard chart immediately. In 2007, they release a DVD of their live concert entitled “The Whispers Live From Las Vegas”, the first of its kind. A CD soundtrack of the same concert was also released.

CAREER HIGHLIGHTS

Seven Gold Albums, Two Platinum Albums, 12 Top Twenty Singles, 40 Charted Hits Since 1970, Four Decades of Pop & R & B FavoritesAmerican Music Award Nominees, Soul Train Award Nominees, Grammy Award Nominees
2003 Vocal Group Hall of Fame Inductees, 2005 S.F. Regional Grammy Governors Award

Trish Toledo

MC Magic

MC Magic NastyboyRecords.com

Los Yesterdays

Los Yesterdays originated in an Altadena garage when Gabriel Rowland teamed up with his old friend Victor Benavides. Rowland, a long time drummer and eccentric creator of multitudinous soulful things, took charge of recording as well as playing all the instruments, while Benavides wrote and cut vocals. The project pretty much stayed in their garage for a few years until a mutual connection brought them to the attention of Tom Brenneck and Gabe Roth, who both dug the songs and offered to join in on guitar and bass respectively so that the duo might be able to perform their music live. The four soon found a handful of gigs behind them and a Penrose recording date in front of them. The latter from which sprang the celestial reverie of “Tell Me I’m Dreaming,” a full-throated pop-souldie complete with orchestral percussion and co-ed chorus, as well as “Time,” a dark psychedelic meditation with a rawness that betrays the garage in which it was conceived. Though the production rings with the high-ceilinged echoes of the Penrose studio, the songs retain in whole the idiosyncratic architecture that could only have been hatched by two mad geniuses in a garage.

Forever Tour

Forever Tour

Flytjendur