Ball Park Music

real life indie band that makes music in a shed and also goes on tour.

The Rions

From their early beginnings as high school classmates, The Rions (Noah Blockley, Harley Wilson, Asher McLean, and Tom Partington) have cemented their status as ‘ones to watch’ -going from winning triple j’s Unearthed High in 2021, to now having amassed over 60 million global streams across their catalogue. With an indie rock sensibility that draws from influences including Role Model, The Japanese House and Sam Fender, their infectious pop hooks are propelled by the unfiltered authenticity they bring to their lyrics.

After a landmark 2024 - selling out shows worldwide and debuting their EP Happiness In A Place It Shouldn’t Be at #4 on the ARIA Top Australian Albums chart - Eora/Sydney’s indie pop favourites return in 2025 announcing their debut album 'Everything Every Single Day' (out Oct 3) - featuring singles 'Shut You Out’, 'Maybe I'm Just a Freak' and 'Tonight's Entertainment'.

Their latest EP earned wide recognition, with #1 triple j most-played singles (‘Physical Medicine,’ ‘Sweet Cocoon,’ ‘Time Will Try’) and two tracks landing in triple j’s Hottest 100, marking their fourth consecutive appearance in the countdown.

Last year marked The Rions' biggest touring milestone yet, selling over 20,000 headline tickets in 2024. They conquered festivals and headline stages across Aotearoa/New Zealand before a sold-out 9-date national tour. The band also sold out shows across UK and Europe - co-headlining with mates Pacific Avenue - and capped off the year with an epic 21-date national tour for their sophomore EP including their largest venues to date.

Pacific Avenue

Pacific Avenue are ecstatic to finally announce that their debut album ‘Flowers’ will be released to the world on Friday, May 5 via BMG; a milestone achievement for a group of musicians who have remarkably seen win after win in their rapidly spectacular lifespan.

During the early stages of production, the band didn’t necessarily have a set theme or direction in mind for the body of work they would create. If anything, the content came from embracing the sound they’d crafted over the last half-decade, instinctive classic rock that decorates a timespan of stories and collective experiences, all while accentuating the band’s opulent style.

“Being our debut album, we wanted it to make a statement with the sound we want to be known for,” says lead vocalist and songwriter Harry O’Brien. “We also wanted to show a range in influence, with some songs leaning towards typical rock and roll, and others being sweeter ballads.”

It’s no secret that Pacific Avenue’s influences are rooted in eras long gone on the calendar, but artistically ever-present throughout the modern age, finding ways to stay alive and thrive with new youthful generations. ‘Flowers’ flaunts its mystical prowess throughout its twelve-track length, riddled with familiar melodies and passages that pay homage to an array of inspirations, decorated with signature intricacies that uphold the record’s significance.

Throughout the duration of ‘Flowers’, the group’s love towards their pioneers is revealed from the tenderness of ‘Strawberry Daydream’ to the wistful time warp ‘Lay Me Down’, from the sentimental touch of ‘Wake Me Up’ to the raucous vitality of ‘Devotion’. “Stylistically, we have a real affinity for the 60s and 70s,” continues Harry. “We wanted to do our best to tip our caps towards the bands we love and sound like a classic album you could find in your parent’s vinyl collection, while still making a record that sounds relevant to today’s culture of music.”

Pacific Avenue’s music has made evident waves across Australia in recent years. With multiple releases added to full rotation on triple j and Triple M, and accumulating over 10 million streams on Spotify, Pacific Avenue have become more than just a familiar name on the airwaves and festival line ups – they’ve developed a steadily growing fan base that have followed the band from their humble beginnings as local South Coast entertainers to flourishing Australian luminaries. “Growing up playing music and listening to the albums of my favourite bands, I would never have imagined that I’d be doing the same,” comments Jack. “To be able to create our debut album with some of my best friends is such a special moment in life.”

Birthed after several songs were successfully written in the first jam session between former busking competitors Harry O’Brien and Ben Fryer, who later recruited mutual friends Jack Kay and Dom Littrich to complete the foursome, Pacific Avenue’s turning point came when they released the beloved, fan-favourite single ‘Easy Love’. From then on, it was comfortable positioning across editorial playlists on Spotify and Apple Music, being recognised as a triple j Unearthed Feature Artist, regular airplay across community and commercial radio stations; not to mention the song coming in at #108 in the triple j Hottest 200 of 2021. It was an outstanding, momentous result that exquisitely set up the band for the year ahead.

Following themes of positivity, a rarity in modern music, Pacific Avenue followed up in 2022 with ‘Give It Up For Yourself’, a Brit-Pop inspired, humbling ode to self-love that scored favourably with tastemakers such as iHeart Radio, LISTNR, NME, The Guardian, rage and MTV. “When I was writing the lyrics,” says Harry, “I wanted to keep in mind the importance of taking a step back and appreciating how far you have come, no matter how far along you are in achieving your dreams. If the younger version of yourself could see you today, I’m sure you would be proud.”

Recent single ‘Leaving For London’, which clocked in at #57 in the triple j Hottest 100 of 2022, contributed to the band’s impressive rise in popularity, and saw the group tour alongside Louis Tomlinson (UK) and Crooked Colours, adding to their already astonishing live performance resume with appearances alongside The Wombats (UK), Lime Cordiale, Ocean Alley, 5 Seconds of Summer, DMAs, Tash Sultana, Skegss, San Cisco, Ruby Fields, Thelma Plum and Missy Higgins.

Such persistent appearances to the public eye has led the band to selling out multiple venues across their last four headline tours, including Factory Theatre and Oxford Art Factory in Sydney, Uni Bar in Wollongong, Northcote Social Club in Melbourne, The West Room and Woolly Mammoth in Brisbane, and Northern Hotel in Byron Bay. From indoors to outdoors, the band have been billed on festivals such as Lost Paradise, This That, Spaced Out, Yours & Owls, Snow Tunes and Mountain Sounds.

‘Flowers’ is not only an affectionate billet-doux to the classic rock blueprint that Pacific Avenue built on throughout their unwavering career; it’s a celebration of pridefulness and self-esteem, an emblematic depiction of unity and a reminder of deep interconnections. “To me this album has defined our sound and encapsulated everything that we have been through from the beginning,” comments Dom. “Each song has a permanent marker in my memory as it takes me back to a time and place, and I hope that the listener can share this feeling.”

“If there’s anything we want people to take away from the record it’s for you to feel included,” says Harry. “That’s really the whole point of Rock and Roll and why we’re a band, so you can go to a show and be in a room full of people you don’t know, yet still feel connected to everyone because you’re all screaming the same words about falling in love, or moving to a new city, or getting caught in the rain, whatever it is. It’s nothing that hasn’t already been done before, but it’s something we’ve wanted to be a part of for a long time.”

Old Mervs

Two piece band from Perth, How the fark are ya?

BOY SODA

Ever changing.

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https://boysoda.lnk.to/info

My debut album, SOULSTAR. Out now ⭐️

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Mid Drift

Bursting onto the scene with their slick, wavy sound and vibrant female lead, Mid Drift have quickly become one of Brissy/Meanjins most iconic indie acts. Made up of Sarah Engstrom, George Swan, Daniel Larsen, John Reid, and Rowan Bowyer, Mid Drift draws inspiration from other Aussie acts such as Ocean Alley and Spacey Jane to create a unique, yet delicious mix of flowing melodies and infectious vibes. Brought to life by Sarah's powerhouse vocals and the band's tight musicianship, their live performances are buzzing with energy and leave each audience they play to craving more.

The Tullamarines

Cram together four perennial over-thinkers into an Adelaide jam room, sprinkle in some love, care, anxiety, and affection, and you get The Tullamarines.

Josh, Angus, Benny, and Lucinda met on the local gig circuit and quickly bonded over a shared enthusiasm for songwriting. Now a bunch of inseparable nervous wrecks, they share the highs and lows with the honesty and warmth of an old friend. Their unique blend of perspectives smacks you over the head with a pillow, while you’re jumping on a bed of giddy indie pop—a feeling that resonates throughout their discography and live shows.

Having already shared the stage with the likes of Alex Lahey, The Vanns, The Buoys, and Teenage Joans, and completing national tours with TOWNS, Stumps, Dear Seattle, and Polish Club, The Tullamarines have cemented themselves as a rising force in Australia’s indie scene. 2024 kicked off with the release of ‘Loser,’ the first single of the year, which sent them on another headline tour across the country.

With more shows, new releases on the horizon, and a growing legion of fans, The Tullamarines are a band showing no signs of slowing down

Darcie Haven

sleepazoid

Ella Ion (she/her) is an indie-folk singer/songwriter hailing from Adelaide (Kaurna land), South Australia. Ion’s main stylistic influences include indie-rock, folk and country, and her live performances range from soft and melodic moments to dissonant and guttural pieces. She invites the listener to join her in both the peaceful and the deafening; the moments that inspire solace in the uncomfortable. Ion crafts songs guided by vulnerable yet playful lyricism, drawing listeners in with moments of quiet reflection and unfiltered emotion.

Birdland

Tjaka

Fresh from a run of international shows in the UK, Tjaka return home to launch their debut EP, Elevate, across Australia. Blending electronic, hip-hop, and funk with powerful Indigenous influences, the Magandjin-based band has been turning heads with their genre-bending sound and unforgettable live energy.

With Elevate, Tjaka showcase their ability to effortlessly cross genres and experiment with sound, all while staying true to their cultural roots. The EP charts their musical and cultural journey so far, reflecting growth, transformation, and a deep connection to Country. It captures the feeling they experience when stepping on stage and tapping into something greater (likened to gaining “superpowers”) as they become a heightened version of themselves through music. Each track is crafted to energise and uplift, offering listeners a glimpse into the sound, spirit, and unstoppable force that define Tjaka.

Tjaka have shared stages with legends including Michael Franti (US), Xavier Rudd, Cat Empire, and BARKAA, and have got crowds moving at major festivals including Splendour in the Grass, Dark Mofo, Woodford Folk Festival, and plenty more. Their live shows feature signature instruments, the Didjeribone (a slide didgeridoo) and the FaceBass (a seismic microphone), melting blistering guitar, razor-shap rap, and pulsating bass into a sound so infectious, it’s impossible not to dance.

Selve

Charli Lucas

Redd

Redd is an emerging producer and DJ based in Brussels, whose deep, hypnotic grooves and innovative productions are rapidly gaining recognition in the world of electronic music. Blending elements of ambient, breakbeat, and groovy techno

RAGEFLOWER

Cali Rd

DEVAURA

Milly Strange

Intermood

Radiating with a burning desire to make people move, Intermood’s heaving live performances have turned heads within Naarm’s thriving instrumental scene. Swearing an allegiance to always bring the ruckus, the group’s blend of instrumental psychedelic jazz and high energy neo-disco has emerged out of sweaty sold out shows within Australia’s music capital, leading them to the stages of the Melbourne International Jazz Festival and Strawberry Fields.

Intermood’s evolving sound fuses the live dance music of Mildlife and L’Éclair with the housey rhythms of Todd Terje. With the release of their upcoming EP, the group are set to continue carving out their own space within Naarm's instrumental and dance worlds.

Milo Eastwood

Milo Eastwood is a Melbourne/Naarm based DJ, Radio Announcer & Event Curator.

The Foxy Junes

Ball Park Music

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